Yixuan Li

In this project, I started by observing my surroundings and recording what caught my attention through drawing. I tried to collect colors and shapes from daily life — from the busy streets of London to quiet museum spaces. Each piece reflects a small part of what I saw and how I felt in those moments.

In “Chinatown Lanterns,” I focused on the bright color contrasts and lively atmosphere of hanging lights. I used gouache and markers to express the strong rhythm and energy of the street. “Japanese Ramen” was more personal and calm — I drew it with colored pencils to show warmth and a sense of comfort in everyday life. At the Horniman Museum, I looked closely at natural objects like seashells and plants, layering colors to create soft and delicate textures.

What I enjoyed most about this project was the process of observing and responding freely. Some drawings turned out imperfect, but they feel honest and spontaneous. Through this work, I’ve learned to notice details that I might have ignored before, and to let my feelings guide the way I draw.

In this work, I have been drawn to the layering of petals, the rhythm of ripples on water, and the fine lines of leaf veins. There is a quiet strength in these subtle forms. Every time I observe closely, I discover new structures and rhythms.

My work mainly uses markers and watercolors, I start by sketching a few casual lines and then let the colors naturally blend and flow. In this process, I gradually perceive the rhythm of the patterns. They are not deliberately designed, but grow organically with the movement of my hand and the diffusion of the paint. Sometimes, unexpected shapes and layers emerge during the painting, and this randomness gives the work a greater sense of life.